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dc.contributor.authorKaribayeva, Nadiya
dc.contributor.authorLowley, James
dc.date.accessioned2020-01-30T09:52:46Z
dc.date.accessioned2020-05-11T13:49:20Z
dc.date.available2020-01-30T09:52:46Z
dc.date.available2020-05-11T13:49:20Z
dc.date.issued2019
dc.identifier.citationKaribayeva, Lowley JD: Multisensory design as a tool for emotional regulation: Enabling users to communicate emotions through senses. In: Bohemia E, Kovacevic A, Buck L, Brisco, Evans, Grierson, Ion W, Whitfield. DS 95: Proceedings of the 21st International Conference on Engineering and Product Design Education (E&PDE 2019), University of Strathclyde, Glasgow. 12th -13th September 2019, 2019. The Design Societyen
dc.identifier.isbn978-1-912254-05-7
dc.identifier.urihttps://hdl.handle.net/10642/8560
dc.description.abstractThe complex nature of emotions poses challenges for those struggling to manage them. Thus, a broader spectrum of regulatory strategies needs to be developed. The ways in which product design contributes to emotional regulation have been scarcely investigated. Yet it is argued here that multisensory design can provide new ways of emotional communication by enabling individuals to use senses to express inner states non-verbally. The paper tries to draw the connection between emotions, senses and product design. It then presents the results of four case studies evaluating expressive sensory features of various objects designed by contemporary product designers. In addition, the survey conducted among students at Oslo Metropolitan University and Manchester School of Architecture reveals basic user preferences in expressing emotions through senses. The findings suggest that in order to facilitate emotional expression through objects, opportunities for contextualisation and variety of choice should be provided. Furthermore, expression of a negative emotion is in many cases less effective than distraction and, therefore, should not be the only goal in the design process. Most of the respondents reported experiencing difficulties in emotional expression. Although few use objects in displaying emotions, many expressed interests in alternative ways to communicate feelings. The recommendations for using senses in designing for emotional regulation, which can be addressed in teaching practices in design and other relevant fields, are compiled based on the obtained results.en
dc.language.isoenen
dc.publisherThe Design Societyen
dc.relation.ispartofDS 95: Proceedings of the 21st International Conference on Engineering and Product Design Education (E&PDE 2019), University of Strathclyde, Glasgow. 12th -13th September 2019
dc.relation.ispartofseriesInternational Conference on Engineering and Product Design Education;DS 95: Proceedings of the 21st International Conference on Engineering and Product Design Education (E&PDE 2019), University of Strathclyde, Glasgow. 12th -13th September 2019
dc.rightsThe Design Society has taken steps to benefit the publication of papers for our members and is pleased to announce that all DS publications after 1st July 2018 will be Gold Open Access under the Creative Commons licence, type CC-BY-NC (Creative Commons Non-Commercial Licence). CC-BY-NC (Creative Commons Non-Commercial Licence): Allows others to copy and redistribute the material in any medium or format. However, the material may not be used for commercial purposes. It can be an appropriate licence for monographs because it protects print copy sales while still providing scope for users to create derivative works of the online version to the benefit of all academia.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectEmotional expressionsen
dc.subjectEmotional regulationsen
dc.subjectSensesen
dc.subjectMultisensory designsen
dc.subjectProduct designsen
dc.titleMultisensory design as a tool for emotional regulation: Enabling users to communicate emotions through sensesen
dc.typeConference objecten
dc.date.updated2020-01-30T09:52:46Z
dc.description.versionpublishedVersionen
dc.identifier.doihttps://dx.doi.org/10.35199/epde2019.71
dc.identifier.cristin1786043
dc.source.isbn978-1-912254-05-7


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The Design Society has taken steps to benefit the publication of papers for our members and is pleased to announce that all DS publications after 1st July 2018 will be Gold Open Access under the Creative Commons licence, type CC-BY-NC (Creative Commons Non-Commercial Licence).

CC-BY-NC (Creative Commons Non-Commercial Licence): Allows others to copy and redistribute the material in any medium or format. However, the material may not be used for commercial purposes. It can be an appropriate licence for monographs because it protects print copy sales while still providing scope for users to create derivative works of the online version to the benefit of all academia.
Med mindre annet er angitt, så er denne innførselen lisensiert som The Design Society has taken steps to benefit the publication of papers for our members and is pleased to announce that all DS publications after 1st July 2018 will be Gold Open Access under the Creative Commons licence, type CC-BY-NC (Creative Commons Non-Commercial Licence). CC-BY-NC (Creative Commons Non-Commercial Licence): Allows others to copy and redistribute the material in any medium or format. However, the material may not be used for commercial purposes. It can be an appropriate licence for monographs because it protects print copy sales while still providing scope for users to create derivative works of the online version to the benefit of all academia.