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dc.contributor.authorSkaug, Johanna
dc.contributor.authorAalberg, Trond
dc.date.accessioned2024-06-10T06:13:00Z
dc.date.available2024-06-10T06:13:00Z
dc.date.created2024-06-08T10:52:42Z
dc.date.issued2024
dc.identifier.citationCataloging & Classification Quarterly. 2024, .en_US
dc.identifier.issn0163-9374
dc.identifier.urihttps://hdl.handle.net/11250/3133176
dc.description.abstractThe IFLA Library Reference Model (LRM) defines work as an abstract entity that represents “the intellectual or artistic content of a distinct creation.” The work entity enables the grouping of equivalent content in search results and enables connecting and relating resources across databases and documentation practices, independent of media and format. This article explores how the LRM work entity relates to and is understood in the context of theater performance documentation. It presents an analysis of different conceptual models relevant to performance documentation and examines how databases for performing arts refer to or include works. The main part of the article, however, is a user study based on interviews with theater researchers on how they understand the concept of work in relation to theater performances. The main research contribution of this work is the gained insight into how the concept of work is understood in the context of theater performance documentation.en_US
dc.language.isoengen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleThe Concept of Work in Theater Performancesen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doihttps://doi.org/10.1080/01639374.2024.2357208
dc.identifier.cristin2274602
dc.source.journalCataloging & Classification Quarterlyen_US
dc.source.pagenumber22en_US


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