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dc.contributor.authorBerg, Ida Uppstrøm
dc.contributor.authorLarsen, Håkon
dc.date.accessioned2024-02-08T06:59:22Z
dc.date.available2024-02-08T06:59:22Z
dc.date.created2024-02-07T12:58:58Z
dc.date.issued2024
dc.identifier.issn0964-7775
dc.identifier.urihttps://hdl.handle.net/11250/3116270
dc.description.abstractThere has been much discussion in the US and European media about the evolving relationship between wealthy private art collectors and underfunded public art museums. This paper examines the public debate regarding the ten-year loan agreement between the National Museum in Norway and the Fredriksen Family Art Company Limited. The agreement was exposed to harsh criticism from actors within the art world when it became known to the public in June 2019. Based on an analysis of newspaper articles from when this was a hot topic in the public debate, we investigate the dynamics of the debate and seek to understand why it became such a contested issue. This study shows that the Norwegian culture based on egalitarian values and high tax moral, and a long history for the state to subsidize the arts and culture, are important reasons why the collaboration became as controversial as it did.en_US
dc.language.isoengen_US
dc.relation.urihttps://www.tandfonline.com/doi/full/10.1080/09647775.2024.2312576
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titlePublic art and private wealth: the controversial collaboration between the national museum in Norway and Fredriksen Family Art Company Ltden_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doi10.1080/09647775.2024.2312576
dc.identifier.cristin2244037
dc.source.journalMuseum Management and Curatorshipen_US
dc.relation.projectNorges forskningsråd: 302199en_US


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Navngivelse 4.0 Internasjonal
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