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dc.contributor.authorHolm Soelseth, Camilla
dc.date.accessioned2023-04-21T09:18:47Z
dc.date.available2023-04-21T09:18:47Z
dc.date.created2022-06-08T12:39:10Z
dc.date.issued2022
dc.identifier.issn2346-5492
dc.identifier.issn2346-5522
dc.identifier.urihttps://hdl.handle.net/11250/3064200
dc.description.abstractThrough professional social media accounts, poets can become actors in the ecosystem of Social Media Entertainment (SME). In this article, using an ecological perspective, the accounts of five poets are treated as exhibits of processes they take part in, both platform-specific practices related to content creation in the SME, and practices showing the interlocking and overlapping of the SME with other ecosystems of cultural production. By doing this, the article aims to show how platformization as a socio-technological process is shaping the practice of being a poet. The article identifies the platform-specific practices the poets partake in that make it possible to say when they are being instapoets on Instagram. For the concept of “instapoet” to be fruitful when referring to poets, it is not enough for them to merely be on social media. A poet is an instapoet when they take on the platform-specific tasks of a social media creator, which is more than just producing content. Often, poets are not only instapoets. Rather, how much of an instapoet you are depends on how platform-dependent you are.en_US
dc.language.isoengen_US
dc.publisherSciendoen_US
dc.relation.ispartofseriesBaltic Screen Media Review;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleWhen is a Poet an Instapoet? : The effect of platformization on the practice of being a poet, and instapoets as examples of poetry content creators in the Social Media Entertainment ecosystemen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doihttps://doi.org/10.2478/bsmr-2022-0008
dc.identifier.cristin2030212
dc.source.journalBaltic Screen Media Reviewen_US
dc.source.volume10en_US
dc.source.issue1en_US


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal