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dc.contributor.authorDahlsveen, Mimesis Heidi
dc.contributor.authorAure, Venke
dc.date.accessioned2023-01-25T12:14:28Z
dc.date.available2023-01-25T12:14:28Z
dc.date.created2023-01-24T17:06:58Z
dc.date.issued2022
dc.identifier.issn2535-7328
dc.identifier.urihttps://hdl.handle.net/11250/3046289
dc.description.abstractThis article discusses how art and academia can intervene in what the authors call the third site. The authors’ common ground lies in an interest in artistic encounters between people where art and academia bring new discoveries on both the personal and the professional level. The core of this article is the lecture performance in which the authors explore boundaries of the personal, academia and art. By using artistic, art-based, and scientific approaches, they explore how established positions in art and academia can blend polyphonic methodology and epistemology. In their performative writing they use this artistic competence as their starting point, using performativity as an active event that produces representations of lived lives, the production of existential empiricism. Their endeavour is to illuminate value-related and new questions through art making and establish an epistemological and methodological basis for working with art and academia.en_US
dc.language.isoengen_US
dc.publisherOslo Metropolitan Universityen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleThe third site: Blending polyphonic methodology and epistemologyen_US
dc.title.alternativeThe Third Site: Blending Polyphonic Methodology and Epistemologyen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin2114236
dc.source.journalNordic Journal of Art and Research (A & R)en_US


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Navngivelse 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Navngivelse 4.0 Internasjonal