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dc.contributor.authorFlinterud, Guro
dc.contributor.authorTolgensbakk, Ida
dc.date.accessioned2022-10-07T12:11:20Z
dc.date.available2022-10-07T12:11:20Z
dc.date.created2022-08-26T15:08:00Z
dc.date.issued2022-08-26
dc.identifier.issn1502-7473
dc.identifier.issn2387-6727
dc.identifier.urihttps://hdl.handle.net/11250/3024522
dc.description.abstractAs an unintended consequence of the business model of social mediacompanies, a new actor has entered the process where tradition creates new genres: the algorithm. Platform algorithms live dynamic lives in intimate connection with their human users. They sort and filter, rank, amplify and conceal, and they affect what, how and when we share. They are non-humans who enter into the domain of human creativity. As such, they can be used analytically to understand the processual aspect of genre: Algorithms are alteringmechanisms that create continuity. This article will highlight the role of algorithms as actors in the process of tradition and discuss how this can elucidate genre as process. As example, we use the digitally born genre «Internet memes». We suggest a Bakhtinian framework to elucidate what role algorithms play in making the meme one of the most characteristic genres of connective cultures.en_US
dc.language.isonoben_US
dc.publisherNovus forlagen_US
dc.relation.ispartofseriesTidsskrift for kulturforskning;Nr 1 (2022)
dc.rightsNavngivelse-DelPåSammeVilkår 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/deed.no*
dc.subjectAlgorithmsen_US
dc.subjectMemesen_US
dc.subjectSpeech genresen_US
dc.subjectTraditionsen_US
dc.subjectDigital genresen_US
dc.subjectSocial mediaen_US
dc.title«utformet ved samarbeide av talløse slegter og folkefærd, baade de mindre og de mere civiliserede»: Tradering og sjangre på den digitale allmenningenen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holderOpphavsrett 2022 Forfatterneen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doihttp://ojs.novus.no/index.php/TFK/article/view/2093
dc.identifier.cristin2046360
dc.source.journalTidsskrift for kulturforskningen_US
dc.source.volume21en_US
dc.source.issue1en_US


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Navngivelse-DelPåSammeVilkår 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Navngivelse-DelPåSammeVilkår 4.0 Internasjonal