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dc.contributor.authorJansson, Dag
dc.contributor.authorBalsnes, Anne Haugland
dc.date.accessioned2021-01-20T09:02:55Z
dc.date.accessioned2021-02-26T15:28:57Z
dc.date.available2021-01-20T09:02:55Z
dc.date.available2021-02-26T15:28:57Z
dc.date.issued2021-01-20
dc.identifier.citationJansson, Balsnes. Dilemmaer i skandinavisk korlederutdanning. Cappelen Damm Akademisk; 2021. MusPed:Researchen
dc.identifier.isbn978-82-02-69697-9
dc.identifier.isbn978-82-02-70632-6
dc.identifier.issn2703-7843
dc.identifier.urihttps://hdl.handle.net/10642/9775
dc.description.abstractWithin higher education, programmes in choral conducting are offered of varying kinds and at different levels, from dedicated programmes to single courses that are embedded in other music programmes. The choral practice field is varied; choral leadership is partly a generic music competence and partly a profession. The variety and social reach of the choral movement suggest that the educational offering in choral conducting should be manifold in type and quantity in order to supply the practice field with qualified conductors. In this chapter we take a renewed look at material from three previous studies: (1) a mapping of Scandinavian choral leader education, based on document analysis and interviews with tutors and newly graduated conductors; (2) a quantitative survey on choral conducting competencies, where more than 600 conductors in Norway, Sweden, and Germany participated; and (3) an interview study of twenty Norwegian choral conductors on their professional careers. Although the findings from these studies were salient enough, the implications for choral conducting education were not equally clear. The point of departure for this chapter is that this is due to a series of difficult trade-offs, and we ask the question: What dilemmas do we face when educating choral conductors, and how might we understand these in light of the composite data? The material is analysed by drawing on established pedagogic categories, Wenger’s theory of communities of practice (1998), Jansson’s competence model for choral conductors (2018), and Varvarigou and Durrant’s discussion framework for choral conducting (2011).en
dc.language.isonben
dc.publisherCappelen Damm Akademisken
dc.relation.ispartofHigher Education as Context for Music Pedagogy Research
dc.relation.ispartofseriesMusPed: Research;Nr. 2 2021
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Licenseen
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectChoral conductorsen
dc.subjectChoral leadershipsen
dc.subjectHigher educationen
dc.subjectMixed methodsen
dc.subjectKordirigenteren
dc.subjectKorledelseen
dc.subjectHøyere utdanningen
dc.subjectBlandete metoderen
dc.titleDilemmaer i skandinavisk korlederutdanningen
dc.typeChapteren
dc.typePeer revieweden
dc.date.updated2021-01-20T09:02:55Z
dc.description.versionpublishedVersionen
dc.identifier.doihttps://doi.org/10.23865/noasp.119
dc.identifier.cristin1875163
dc.source.isbn9788202696979


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License
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