Researching the assemblage of cultural diversity in Norway: Challenging simplistic research approaches
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" published as andersen, c. e., & otterstad, a. m. (2014). researching the assemblage of cultural diversity in norway: challenging simplistic research approaches. international review of qualitative research, 7(1), 93-110.. © 2014 by [the regents of the university of california/ sponsoring society or association]. copying and permissions notice: authorization to copy this content beyond fair use (as specified in sections 107 and 108 of the u. s. copyright law) for internal or personal use, or the internal or personal use of specific clients, is granted by [the regents of the university of california/on behalf of the sponsoring society] for libraries and other users, provided that they are registered with and pay the specified fee via rightslink® on [ j s t o r (http://www.jstor.org/r/ucal)] or directly with the copyright clearance center, http://www.copyright.com."
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OriginalversjonAndersen, C. E., & Otterstad, A. M. (2014). Researching the Assemblage of Cultural Diversity in Norway: Challenging Simplistic Research Approaches. International Review of Qualitative Research, 7(1), 93-110.
This article’s point of departure is practicing an(other) methodology than those that are dominant within educational research in Norway. Dominant research can ‘rely on the authority and normativity of methods to produce knowledge devoid of critical reflection and contextual consideration’ (Koro-Ljungberg & Mazzei, 2012, p. 728). Koro-Lungberg (2012) calls this the politics of simplification (p. 809), which is powerful through its control of qualitative research. The authors try to poke holes in this scheme of representation regarding cultural diversity by installing themselves in agentic realist positions with a piece of data – a snapshot of an Internet Web page. To think otherwise about cultural diversity, the authors ‘thinkfeel’ (Lenz Taguchi & Palmer, in press) and are on the ‘lookout’ (Boutang, 2011) for events and transformative moments (Deleuze & Guattari, 1987) around the folding of the assemblage of cultural diversity in Norway. Inspired by Lather (2012), we try ‘to live’ the data in new ways.