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dc.contributor.authorSandnes, Frode Eikaen_US
dc.contributor.authorJian, Hua-Lien_US
dc.date.accessioned2013-04-22T09:19:59Z
dc.date.available2013-04-22T09:19:59Z
dc.date.issued2012-11en_US
dc.identifier.citationSandnes, F. E., & Jian, H. L. (2012). Sketching with Chinese calligraphy. interactions, 19(6)en_US
dc.identifier.issn1072-5520en_US
dc.identifier.otherFRIDAID 937421en_US
dc.identifier.urihttps://hdl.handle.net/10642/1446
dc.description.abstractSketches and hand drawn paper prototypes have become popular tools – they are quick to make, inexpensive and cannot be mistaken for the final product. When little effort is needed to draw, it is easier to discard drawings and ideas and replace them with new and improved versions. Moreover, during ideation it is important to be able to quickly capture the ideas on paper while they are flowing. As one speeds up the drawing, the sketches may become unclear and harder to interpret. This article illustrates how Chinese calligraphy can serve as inspiration to speed up sketching while maintaining a clear, consistent and attractive style. After introducing the basic principles of Chinese calligraphy, we showcase character elements that resemble user interface components and demonstrate how calligraphy techniques can be used to proportion the overall user interface structure.en_US
dc.language.isoengen_US
dc.publisherAssociation for Computing Machinery (ACM)en_US
dc.subjectVDP::Teknologi: 500::Informasjons- og kommunikasjonsteknologi: 550en_US
dc.subjectUser interfacesen_US
dc.titleSketching with Chinese Calligraphyen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.version© Sandnes, Frode Eika; Jian, Hua-Li | ACM 2012. This is the author's version of the work. It is posted here for your personal use. Not for redistribution. The definitive Version of Record was published in "interactions", http://dx.doi.org/10.1145/2377783.2377796.en_US
dc.identifier.doihttp://dx.doi.org/10.1145/2377783.2377796


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