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dc.contributor.authorEeg-Tverbakk, Camilla
dc.date.accessioned2021-12-16T08:54:58Z
dc.date.available2021-12-16T08:54:58Z
dc.date.created2021-11-20T19:48:41Z
dc.date.issued2021-11-19
dc.identifier.citationInFormation - Nordic Journal of Art and Research. 2021, 10 (3), .en_US
dc.identifier.issn1893-2479
dc.identifier.urihttps://hdl.handle.net/11250/2834628
dc.description.abstractNew dramaturgy expands beyond the theatre and stage, working on the ways in which things in each time and space are organised and produce meaning. I link this to object-oriented ontology (Morton, 2013; 2016; 2018) and the ethics of relating to things (Benso, 2000) in my discussion of three works of art in public space: House of Commons (2015) by Marianne Heske, Movimento HO (2016) by Eleonora Fabião, and The Viewer (2019) by Carole Douillard. All three works temporarily introduce specific material into a public space, working with time to open up the ‘thingliness’ (Heidegger, 2001/1971) of the material, thus changing the dramaturgy of the place and how people relate to it. The works subtly introduce the potential of experiencing reality in new ways, changing narratives through a reciprocal process of shaping and being shaped by things. This is the result of the fact that every thing is always in motion, morphing without purpose or direction. ‘Things rock’, as Timothy Morton puts it. I use Morton’s concept of tuning, and Silvia Benso’s concept of tenderness when discussing how the materials in the three works – a house, bricks and human bodies – tune into a place, and how the viewer also tunes through what Benso calls ‘tender touch’, sometimes touching the material concretely, at other times touching the common ground or breathing the same air.en_US
dc.language.isoengen_US
dc.publisherOsloMet - Storbyuniversiteteten_US
dc.relation.ispartofseriesInFormation - Nordic Journal of Art and Research;Vol 10 Nr. 3 (2021): Researching public art and public space
dc.relation.urihttps://journals.oslomet.no/index.php/information/issue/view/454
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.subjectDramaturgyen_US
dc.subjectPublic space artsen_US
dc.subjectObject-oriented ontologyen_US
dc.subjectPerformancesen_US
dc.subjectEthicsen_US
dc.titleDramaturgies of Reality - shaping and being shaped by thingsen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holderOpphavsrett 2021 Camilla Eeg-Tverbakken_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doihttps://doi.org/10.7577/information.4659
dc.identifier.cristin1956845
dc.source.journalInFormation - Nordic Journal of Art and Researchen_US
dc.source.volume10en_US
dc.source.issue3en_US
dc.source.pagenumber24en_US


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