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dc.contributor.authorOmmundsen, Åse Marie
dc.identifier.citationOmmundsen ÅM. Billedbøger mellem læsere. Kontroversielle billedbøger i Norge og Danmark. Passage. 2016;75:29-48language
dc.description.abstractWhen reading contemporary Scandinavian picturebooks, one may wonder who they are aimed at. The two picturebooks to be discussed in this article are the Danish book De skæve smil (The Crooked Smiles) (2008) by Oscar K. and Lilian Brøgger, and the Norwegian book Krigen (The War) (2013) by Gro Dahle and Kaia Dahle Nyhus. De skæve smil is a challenging picturebook about aborted foetuses, “those who never were born”. Krigen uses war metaphors to tell about a different kind of war, the war between two divorcing parents. Both books are existential picturebooks, illustrated in a naive drawing style with complex multi-layered narrative devices. They are challenging both thematically and in terms of their verbal and visual narrative devices. But unlike many other challenging Scandinavian picturebooks, they are also controversial and likely to offend their adult reader. What makes these picturebooks not only challenging but also highly controversial? This, in turn, leads to the question of audience: who are these picturebooks for?language
dc.publisherAarhus Universitetsforlaglanguage
dc.rightsCreative Commons Attribution-lisenslanguage
dc.titleBilledbøger mellem læsere. Kontroversielle billedbøger i Norge og Danmarklanguage
dc.typeJournal articlelanguage
dc.typePeer reviewedlanguage

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Except where otherwise noted, this item's license is described as Creative Commons Attribution-lisens